Re: True blood anyone?
I think it is. I think Jason is unshot and Jessicawill be burned but saved from destruction by Jason.
Quark discovers that Grand Nagus Zek has written a new set of the Rules of Acquisition, which would put an end to the traditional Ferengi ways.
We could go full blown out and have Star Trek meet Brokeback Mountain. Two lone ensigns, stranded on a planet, they must cling to each other to survive. In the cold night, infront of a warm fire, they embrace each other . . .
Will Starfleet be able to save them . . . do they even want to be saved . . . from each other?
Well, that's it. I'm now going to change the plot of the new Stonewall story completely. Time for some hot ensign-on-ensign action.
We could go full blown out and have Star Trek meet Brokeback Mountain. Two lone ensigns, stranded on a planet, they must cling to each other to survive. In the cold night, infront of a warm fire, they embrace each other . . .
Will Starfleet be able to save them . . . do they even want to be saved . . . from each other?
:blink: Awesomeness! Congratulations to you all. I can't wait for the new STF versions to come out. Straight on to the Elite versions! :lol:Congrats to Leon (NanoLion), Christian (Zeryon), Lance (Colivia) and myself for a 59 minute Cure run tonight! WAY TO GO GUYS!!!
We also did Infected right before it in 35 min B)
happening in the movies with any incidental, heterosexual characters either.partners kiss, the person picking up says "Hi *insert name*", the partner says "Bring him/her back in one piece."
Despite a Bajoran prophecy of destruction, Sisko assists in a joint scientific venture with the Cardassians to open communications through the wormhole.
I just wouldn’t want the agenda to be… whether it’s a heterosexual relationship or a homosexual relationship, to tell a story that was, that felt distracting from the purpose of the story. So I’m complete[ly] open-minded, you know—I’m interested in finding a way to do that but it’s almost like it’s a tricky thing. Because it’s the right thing to do… but [you want to] do it in a way that doesn’t feel like you’re [just] doing it in order to make that point. Because then it’s almost a disservice. Because then it feels like, “Oh that stupid distracting subplot about you know, you know, that minority. Or those people."
So the question is how do you do it where it doesn’t feel like, ‘Why am I getting into that kind of detail about the character’s life if not just to make a point of it?’ So the answer is, I think it should be done and I’d love to be able to do it…once we get through the bigger issues of certain structural things that are really the key to the show or the movie being done well.